Portugal. The Man at Edgefield Amphitheater

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Portugal. The Man‘s “Live In The Moment” from their latest album, Woodstock, opens with this line: “My home / Is a girl with eyes like wishing wells.” On Friday, August 24th, their home town of Portland, OR welcomed them with thousands of keenly fixated eyes all gazing at a wish come true. Portland has always championed their own kind, and two back-to-back sold out shows at McMenamins Edgefield is far from surprising for the PDX veterans. Despite their mainstream success over the last couple years, PTM have never forgotten where they came from. From constantly collaborating with other local artists, to hanging out with Blazers players, they’ve distinctly established themselves as the true Lords of Portland. With this undeniable homestead fellowship, there was eager anticipation that these shows would make for a rowdy weekend with numerous special surprises.

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Concert Review: Portugal. The Man at Edgefield

Portugal-The-Man-newSaturday July 22nd, Troutdale, OR, McMenamins Edgefield. The sun was beating down at a solid 90° on a sold-out crowd of just under 1,400. Scattered across the lawn were an eclectic mix of indie-goers ranging from flower-crowned millennials, to hip rocker yuppies, to a handful of high waist-pantsed and seemingly lost seniors (maybe they thought this was a Willie Nelson concert?). The grass was soft and the beer lines moved quickly as people got settled in for a night with one of the most accomplished bands to grow out of Portland.

Kicking off the event was Cat Hoch, a Portland-based psych-jazz-rock ensemble headed by a floaty-voiced melodist of the same name. Their echoey instrumentals strung together waves of trance-inducing guitar solos and ghostly themes of celestial proportion. The night then shifted to the surf rock stylings of The Shivas. Channeling the spirit of early southwestern 60’s blues and a wicked-shaggy haircut that Joey Ramone himself would’ve been proud of, The Shivas ramped up the tempo and got heads bobbing faster than you could say ’90’s Quentin Tarantino soundtrack candidate.’

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Then, it was time for the main event. Continue reading “Concert Review: Portugal. The Man at Edgefield”