Fir Talks East African Jazz, Traditional Recording, and Transport Ecstasy

FirIt’s no secret that the Pacific Northwest is a mystical place brimming with rolling mountain ranges, lush forests, and meandering rivers. It inspires a collective ethos that draws people from all over the world and influences a rich and diverse culture. All of this enables Portland to offer the ideal nourishment for budding and rooted creatives alike, most of which take this persona to heart. Wearing it proudly on their sleeves, folk-surf-psych band Fir brandishes Cascadia’s archetypal flag symbol as their name, paying homage to the region’s esoteric musings.

They’ve earned the title, as they share multiple commonalities with their adopted home city. Much like Portland, Fir is a classic old soul, but not without a strong sense of youthful enthusiasm. Their style is difficult to define; having blended a myriad of eclectic sounds from an application of exhaustive musical exploration. And, in proper Portland affinity, they know how to make you feel like you’ve been transported to a world outside of your own, fully immersed in a moment within their music.

I had the opportunity to meet with Fir a couple weeks ago before their show at Turn Turn Turn in NE Portland. We talked about navigating the Portland music environment, learning from antecedent influences, and making a name for themselves in an increasingly distracted music world.

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